Respect and Critique

Responsa – Respect and Critique

by

Howard Adelman

In response to my blog, “Our Pristine Island and its Traditional Custodians,” my friend wrote the following:

I wish I shared your view.  I would like my spirit to soar.  But, sadly, I do not.  I fully acknowledge that we are only custodians of the land and that artificial ownership only serves artificial economics, but that does not extend to my placing any significant weight on who came first to the country. So what if the indigenous peoples came first!  How is anyone’s worth a function of their ancestors’ place in history? For me, it is all about this generation and who is here now.

I feel no guilt for the residential schools nor the history of white man’s discrimination against native peoples, even though I acknowledge it was all bad and racist. Why? Because my parents came from the coal mines of Wales. We discriminated against no one. We respect everyone. We’ll assist anyone. I am NOT my forgotten very distant ancestors. And even if there was case to be made for bearing some responsibility, look at how those same ancestors treated me and my family. My father was destroyed by war. We grew up in poverty. I was very often marginalized, discriminated against and unassisted. That is the way life is.  

To me, we are all in this together. Black, white, yellow and brown. And that requires an acceptance and embrace of all. But that all is restricted to my time on earth and what I can directly influence during my time here. I am not in the least responsible for that which happened when I was not here. It is the main reason I speak up so much now – because I am here now and I am responsible for me now. 

Do not misinterpret this as anti-native. They deserve our love and support. But only reasonably so and for those in need. And I will give that, but I will not add an apology nor will I accept responsibility for their current plight. My love and support now should be enough.

RESPONSE

Below, please find an open letter to my friend who critically questioned my insistence of acknowledgement and recognition of the role of indigenous people in Canada as well as my celebration of tradition.

To My Dear Friend;

I should not be charging you with confusion or even the note underlying my response to your latest missive, your inconsistency. Logical, you are not. But loveable, endearing, loyal as well as belligerent, but respectful, even worshipping of nature, you are. You have a hard-hearted realism combined with a romantic love of your Sally. And you will refuse right until the end to go gently into that good night. For you will always insist that even death will have no dominion over your soul.

Where do you think that attitude, that stance, came from? Out of the blue?

Let me begin with Bob Dylan who recently won a Nobel prize for his bardic poetry and who dismissed and tried endlessly to run away from his Jewish tradition as Robert Zimmerman to adopt that of another, the Welsh – yes Welsh bard – Dylan Thomas, even as his songs were infused with Biblical themes and phrases. Before I discuss the latter, let me compare my experience of you to the former.

Bob Dylan wrote “Life is Hard.” You not only could write “life is hard,” but you deliberately chose to make it so – physically and in terms of survival. However, look at the differences. Sally is at the centre of that difference. Whereas Bob Dylan wrote,

I’m always on my guard

Admitting life is hard

Without you near me

You too could write “life is always hard,” but you make sure it does not overwhelm you. In contrast with Bob Dylan, you keep the one “so dear and near to you” ever nearer, ever closer, so that she will not slip far away, so that, in the end, with all your scepticism, with all your escape to the northern bush, she would not stray. For with all your sense of emptiness and the lack of meaning in life except that which we give in the day-to-day, you are at heart a romantic.

You continually echo Bob Dylan’s words:

I don’t know what’s wrong or right

I just know I need strength to fight

Strength to fight that world outside
You refuse to feel “a chilly breeze. In place of memories,” you continuously bring up one memory after another, one anecdote piled atop a different one, not to evoke loss, but to insist that you survived, that you sustained yourself through all the tribulations.

In perhaps his most famous song, “Like a Rolling Stone,” the refrain repeats:

“How does it feel, how does it feel?

To be on your own, with no direction home

A complete unknown, like a rolling stone.”

Of course, Bob Dylan became the most famous minstrel of his time, even though he was like a rolling stone, not like the same one Sisyphus rolled up the hill only to see it roll down the next day so that he had to start over, but one that rolled through one tradition after another, from his Judaism, which continued to haunt him all his life and inform his themes and lyrics, through folk and rock, through evangelical Christianity, through the revival of a unique blues voice borrowed from the voices and rhythms of those who struggled hardest in North America.

But you did not follow that path of rolling through history, but a path that rejected history, that rejected a collective community. You chose, instead, to embrace nature and an atomized community of your own. But you too have not found a direction home. Bob Dylan’s song is about surviving in a world of fraudsters, con artists and crooks, a world in which the individual is reduced to one who has “nothing to lose.” You have deliberately sought the world of all monks who aspire to live a life where they have nothing to lose.

In Bob Dylan’s 1965 album, Bringing It All Back Home, there is a song, “I’m only bleeding.” Dylan sings, and I quote in full:

Darkness at the break of noon

Shadows even the silver spoon

The handmade blade, the child’s balloon

Eclipses both the sun and moon

To understand you know too soon

There is no sense in trying
Pointed threats, they bluff with scorn

Suicide remarks are torn

From the fool’s gold mouthpiece the hollow horn

Plays wasted words, proves to warn

That he not busy being born is busy dying
Temptation’s page flies out the door

You follow, find yourself at war

Watch waterfalls of pity roar

You feel to moan but unlike before

You discover that you’d just be one more

Person crying
So don’t fear if you hear

A foreign sound to your ear

It’s alright, Ma, I’m only sighing
As some warn victory, some downfall

Private reasons great or small

Can be seen in the eyes of those that call

To make all that should be killed to crawl

While others say don’t hate nothing at all

Except hatred
Disillusioned words like bullets bark

As human gods aim for their mark

Make everything from toy guns that spark

To flesh-colored Christs that glow in the dark

It’s easy to see without looking too far

That not much is really sacred
While preachers preach of evil fates

Teachers teach that knowledge waits

Can lead to hundred-dollar plates

Goodness hides behind its gates

But even the president of the United States

Sometimes must have to stand naked
An’ though the rules of the road have been lodged

It’s only people’s games that you got to dodge

And it’s alright, Ma, I can make it
Advertising signs they con

You into thinking you’re the one

That can do what’s never been done

That can win what’s never been won

Meantime life outside goes onAll around you

 

You lose yourself, you reappear

You suddenly find you got nothing to fear

Alone you stand with nobody near

When a trembling distant voice, unclear

Startles your sleeping ears to hear

That somebody thinks they really found you
A question in your nerves is lit

Yet you know there is no answer fit

To satisfy, insure you not to quit

To keep it in your mind and not forget

That it is not he or she or them or it

That you belong to
Although the masters make the rules

For the wise men and the fools

I got nothing, Ma, to live up to
For them that must obey authority

That they do not respect in any degree

Who despise their jobs, their destinies

Speak jealously of them that are free

Cultivate their flowers to be

Nothing more than something they invest in
While some on principles baptized

To strict party platform ties

Social clubs in drag disguise

Outsiders they can freely criticize

Tell nothing except who to idolize

And then say God bless him
While one who sings with his tongue on fire

Gargles in the rat race choir

Bent out of shape from society’s pliers

Cares not to come up any higher

But rather get you down in the hole

That he’s in
But I mean no harm nor put fault

On anyone that lives in a vault

But it’s alright, Ma, if I can’t please him
Old lady judges watch people in pairs

Limited in sex, they dare

To push fake morals, insult and stare

While money doesn’t talk, it swears

Obscenity, who really cares

Propaganda, all is phony
While them that defend what they cannot see

With a killer’s pride, security

It blows the minds most bitterly

For them that think death’s honesty

Won’t fall upon them naturally

Life sometimes must get lonely
My eyes collide head-on with stuffed

Graveyards, false gods, I scuff

At pettiness which plays so rough

Walk upside-down inside handcuffs

Kick my legs to crash it off

Say okay, I have had enough, what else can you show me?
And if my thought-dreams could be seen

They’d probably put my head in a guillotine

But it’s alright, Ma, it’s life, and life only.
Think of how often you refer to the shadows that haunt the silver spoon. Think of your core existential philosophy that can be summed up as, if you are not being reborn daily a la Nietzsche, you are dying.  Look at your rejection of sentimentality, your insistence at always being at war with the world in which you look askance at the waterfalls of sentimental tears, acting to improve the world and your self, not only by rejecting pity, but pitiless in your denunciation of sentiment. What you have not yet discovered, as you try so hard and so persistently to harden your heart, I believe, is that you are but “one more person crying” as you bark disillusioned words like bullets. As you have dodged the games people play, as you avoid the siren call of consumer advertising, as you refuse to join in the gargles of the rat race choir and refuse to be bent by society’s pliers, you echo the refrain:

Although the masters make the rules

For the wise men and the fools

I got nothing, Ma, to live up to.
For you, money does not talk; it swears. For you reject fake morals and, unlike the cowardly Jeff Sessions, you throw the insults back at megalomaniacs like Donald Trump, You refuse to be part of the obscene world. You scoff as false gods and stuffed graveyards. But you refuse to lay your neck upon a guillotine. For it is all life.

All this said, it is not as if you are anything akin to Bob Dylan. If anything, you have so much more in common with an identity Dylan revered, Dylan Thomas. Of course, I am not writing about Dylan Thomas, the young Salish indigenous artist who lives in British Columbia near you, but the Welsh poet who would be one hundred and two years old today, except he died when he was only about forty. Dylan Thomas was also a minstrel poet, but so different that the bard Bob Dylan that one has a hard time imaging the Welshman as Robert Zimmerman’s idol. But that he was, so much so that he appropriated his name.

But read Dylan Thomas. Read one of the truly greats of your tradition, a tradition you claim not to know and which you overtly eschew, but in your love of words and love of disputation you echo daily. You should steep yourself in the poetry of your ancestry and rediscover your own rich roots in the oldest literary tradition of the English-speaking world. There are a myriad of poets to choose from – Gwenalit Jones and Waldo Williams to name but two of literally hundreds. But I focus on the most famous of them all – Dylan Thomas.

I suspect you do not celebrate Christmas as a Christian holiday, but please read or re-read, “A Child’s Christmas in Wales” before this December. Listen hard over the crashing sounds of breaking waves of the two-tongued sea to the distant speaking of Welsh voices. For, like Dylan Thomas, I suspect that the sky and not Granville or Hastings is your real street, and it is the Georgian Straits that sing you carols. For like Dylan Thomas, you desperately need to be transformed into the identity of a hunter, of an Inuit arctic marksman where cats become lynxes and the bell calling out dinner is a gong warning of fire. For the sense and sounds of the present are used to transport you to an ethereal world as grounded and as hard-fisted as you insist you are.

For in your imagination and in your life, you live in another world, an alternative universe, unlike Bob Dylan who always sought and despaired of finding utopia in the here and now. But not for you the age before the motor car, before the motor boat, before electricity and even petticoats.  As much as you deny living in the past and insist you live in the present, you are at heart a true romantic who wants to create the world in which he would choose to live. You do it with your raw hands and your once strong back, but the effort is always accompanied by a vivid imagination. You are lyrical even when you insist on being prosaic. You are impassioned even when you disdain passion for lost causes. And you are very funny, even in your dour seriousness.

But it would help if you allowed yourself to become intoxicated with the words of Dylan Thomas, with the musical language of his writing, with the surrealism all life has to offer even as one steeps oneself in its harsh reality. If only you would allow yourself to be embraced by the past, by your beautiful past, instead of rejecting the cold harshness of the Welsh coal town. For Wales also offers a place of beauty, overflowing with life and love and, yes, with tradition, for its towns are also as full as a lovebird’s egg. I believe you have always longed to get back, and are exercising that longing and desire to return to the “limping invisible down to the sloeblack, slow, black, crowblack, fishingboat-bobbing sea.”

Just remember that the image of Dylan Thomas was on the Beatles album cover of Sgt Pepper’s Lonely Hearts Club. Bob Dylan was always searching for his father and made Dylan Thomas his spiritual father, his muse. In the poem, “The Follower,” Seamus Heaney offers a funerary monument to his father. I know what it is like to reject one’s father. The rejection rather than the love lives on in your heart and corrupts the core of who you are. Learning one’s tradition is a step towards one’s grandfather and great-grandfather so that, once again, one can meet one’s father in a new bespoke suit.

FOLLOW-UP

There was an unusual amount of response to my letter to my friend. I include only two, one relatively critical of my response and then an email from my friend after he received my analysis. Before I print them, I first want to put the issue of an appropriate tone for critique, which I personally have great difficulty achieving, in a larger context. How do you engage in critique of another while enhancing the other’s ability to absorb what is said?

RELIGIOUS CONTEXT

On this past shabat, in synagogue we began reading the fifth book of the Torah, Deuteronomy. Further, this coming Tuesday is Tisha B’Av, the holy day set aside in remembrance of the destruction of the Temple. I have always been puzzled. If Deuteronomy is a text that introduces hermeneutics at the core of Judaism as Moses reflects on his memories and the deeds of his people as they are about to enter the promised land, if the volume lays more stress on a God of love and justice than a warrior, angry and very reluctantly forgiving God, if God in this text is more removed from the world and primary responsibility is placed on humans themselves for what happens to them, if the text prepared the groundwork for the shift from the emphasis on ritual and sacrifice to the stress on reading and interpreting text, the shift from Judaism as a priestly religion to a prophetic and rabbinic Judaism based on a sacred text, its study and interpretation, why mourn the destruction of the Temple which was the key act that allowed rabbinic Judaism to supplant priestly Judaism?

I will not answer the question, but I offer a direction for finding an answer. We mourn most, not what we have lost, but what we failed to achieve. Tisha B’Av, for me, is more about the situation that led to the destruction of the Temple than its physical demolition. We mourn so that, in the current iteration of disastrous behaviour, we once again do not miss out and allow catastrophe to overwhelm our commonweal.

Our rabbi offered a commentary on one word in Deuteronomy along these lines. The key line is chapter 1, verse 9 of Genesis when God asks Adam, “What’s up?” as if Adam were a mischievous child caught in the crosshairs of a knowing parent. The Hebrew word is אַיֶּכָּה, translated as, “Where art thou?” or, more colloquially, “Where are you at?” This sweet concern combined with the buzzing threatening sting in this word is echoed again in Deuteronomy 1:12.

יב  אֵיכָה אֶשָּׂא, לְבַדִּי, טָרְחֲכֶם וּמַשַּׂאֲכֶם, וְרִיבְכֶם. 12 How can I myself alone bear your cumbrance, and your burden, and your strife?

Again, there is the word.אֵיכָה.

The word only appears 16 other times in the whole of the biblical text. In Deuteronomy it appears as a considerate and compassionate query into the emotional mind and mindset of the Other instead of merely a seemingly innocent probe with a lining of menace. Lamentations begins with the same word – אֵיכָה – an inquiry into “How” Jerusalem became a faithless city. Again, the tone of hurt combined with rebuke is apparent. Isaiah (1:21) echoes the same sense of wailing reprimand.

The champion boxer, the Louisville Lip, Muhammad Ali, offered words that are most frequently quoted when he promised to “float like a butterfly and sting like a bee.” The words of reproof by God, by Moses, by Isaiah, and by Jeremiah, are admonitions in the form of loving criticism, the very opposite of critique designed to shame and humiliate. It is what a professor ideally does when he critiques a student’s or a colleague’s work, or what a psychoanalyst tries to do with his or her concern and probing queries.

 

CRITIQUE: THE FOLLOWING TOOK ME TO TASK FOR MY RESPONSE.

In response to whatever he might have said, you are critical, rather harshly, of his unique coping mechanisms. What are you trying to achieve? While we may question his ways, and think we ourselves would not go his ways, he is an independent adult who had made a choice to live life his way. Like we all did.

That he is bitter or negative about some aspects of his experiences is part of his coping: this does not mean he wants to change anything. He feels his ways work for him, so leave it at that, even if you strongly disagree. While we can and do have opinions about how others choose to live their lives, we cannot tell them that they should change, because this is in effect saying that the way they live is wrong and we disapprove of it. Such harsh criticism is not exactly an incentive for anyone to want to heed our well-meant advice. The wish to change must always come from the person himself, and if and when it does, and they need our input, they will approach us. Even if that is the case, I think it is better to employ a quasi-Socratic method in that we merely assist them in clarifying their own thoughts: the thoughts and feelings must originate from them, not from us. I know I know, I sometimes comment re: your behaviour or rather about the impression it makes on me, but I would never tell you to change: I accept and cherish you the way you are, as long as you accept the way you are. If you wish to change I am ready to listen and help you mull it over. But the initiative would have to be always yours.

Plus: in my earlier very profound dialogues with your other reader [with whom I have also corresponded], I got the impression (I can divulge this much, if this helps) that he considers you hugely superior to himself, alone for the reason that you are a famous professor with “a bunch of doctor titles” and he is just a rough and tough biker dude. Of course, you and I both agree that he is a smart and sensitive guy who did a whole lot of great things for others, so he should not feel inferior to eggheads, but he does. Once he sent me some of his stories and they were fantastic and lively, full of energy, and I said they would be well suited as comic book stories, with the appropriate sound effects in bubbles (POUF, PLAK, ZISS). I think comic books are a fantastic genre, with fast dialogues and great dynamics. But he must have thought comic books were for stupid, uneducated people and once he remarked something to the effect about you: “Why would the rabbi be interested in the comic book writer?” or some such, which aptly demonstrates how he feels about you: huge reverence for you and little esteem for himself (this remark is on your blog in WordPress, so it is public). This is one more reason why I would not overwhelm him with such a forceful answer. It would possibly just reinforce his own demons, the way he thinks of himself.

Naturally, I am not telling you what to do ;>)))). But, despite my own quitting communicating with [your other reader (for I tend to get slightly PTSD about such levels of aggression as his, even if they are not directed at me) I feel suddenly protective of him and also you. You are uniquely brilliant: you do not need to go into any offensive.  

The friend whom I addressed did not evidently regard my email as offensive. He wrote:

Well………..
That was a delightful surprise.  A philosophy professor’s take on who I am! I am feeling the love, HA.  Thankyou -a lot- for that.

And to a large extent I agree. ‘Course not the belligerent part! (which only serves to prove your point.). I am a romantic, I admit. An idealist romantic, to boot. But I think we are a dying breed, we idealists. But not extinct. We could use a few more.

And I am 100% wedded to Sally in this epic romance that is as much a journey as a love affair, as much an education as a comfort, as much a mystery as a partnership.

Thanks for taking the time to look and the extra time to comment. It is that kind of recognition and acknowledgment I respect. Acknowledgement of who I am now. It is that kind of recognition that inspires me. To what, exactly, I do not know but, you are right, it at least gives a second wind to rejoining the battle.

I do battle. Maybe too much but somebody has to do it.

Mind you, the battle-rage is abating with age. Not the causes for the rage (they seem to be increasing and ever more glaring in their proliferation and ugliness) but, rather, my ability to wage effectively against them. Thus, the retreat.

Read Dylan Thomas, eh?

I will.  No sense in having a mentor if you do not do as advised.  No sense in going to a doctor if you ignore their advice.

And, you are right again. I am uncomfortable with Xmas. I avoid it as much as possible. Feels phony to me. In fact, most rituals, scheduled celebrations and obligatory attendance events feel phony to me. I do not even like parties!

But I love intimate dinner parties where REAL communication ensues, real warmth exuded, and personal connections are made or strengthened.

I’ll give you this: it is hard to shake the past even when the past was indicative of little. The past still looms for me. I didn’t like it. I suppose even acknowledging THAT is part of what you are saying.

Thanks again for writing that.

 

Our Pristine Island and its Traditional Custodians

Our Pristine Island and its Traditional Custodians

by

Howard Adelman

Yesterday morning, I received a number of acknowledgements that welcomed my return to writing. One reader suggested that our family island may have been one of the few pristine places of peace in a world that appears to be steeped in conflict. The reader implied that such a retreat may be an important ingredient for restoring one’s spirit.

Given the violent conflict in the world, given the factious situation in Washington that dominates the daily news, this is very difficult. Donald Trump most recently repeatedly dissed and humiliated the Attorney General in his government for not owing fealty to himself personally but, instead, recused himself given his obligations to the rule of law and the constitution. Further, the Republican-dominated Congress approved expanded sanctions against Russia while the Trump government forged agreements that effectively ceded control of Syria to the Russians. Even worse, in the Russian election scandal, that administration possibly was willing to trade sanctions relief for cooperation with the Russians in interfering in the American election. Given the current efforts of the Republican-dominated Congress to take away health insurance from over twenty million people in the supposed name of making up for the acknowledged flaws in Obamacare, it is hard to avoid becoming cynical and despondent.

Even our family island does not escape the troubles and turmoil of the world, though the situation on the surface was much more mundane. After almost fifty years, I have come to recognize that it is time to pass on ownership of the island. It is becoming too difficult to maintain my responsibilities for its upkeep even as I enjoy its beneficence. So I was preparing the cottage for disposition. Further, the island is not as pristine or removed from the current turmoil of our world as one might believe.

About two miles across from our family island, there is another called Grave Island. The local Ojibway claim it as an ancient burial site, though, to the best of my knowledge – which is not very extensive – no evidence has been found to support that claim. In this case, actual ownership for ritual purposes may not be the real issue. There is a much larger one – recognition of the prior custodians of all of the territory, not only where our cottage is located, but even where we live in the city.

Canadians, following the lead of their New Zealand cousins, now begin ceremonial occasions in many places and venues with a statement of acknowledgement, not simply of previous claims, but of its prior custodians. In fact, custodian may be a superior term to ownership because ownership is so specifically linked with the development of modern society.  In traditional thought, as in traditional Judaism, land in the end was owned by a world spirit and not specific human beings. We are simply the custodians of the land while we are here.

Though a close friend of mine regards ceremonial statements of such acknowledgement as empty tokenism, “politically correct” utterances and somewhat hypocritical gestures, I find they serve a number of purposes. It reminds Canadians, and new Canadians when they are taking an oath of allegiance and accepting Canadian citizenship, that long before Canada came into existence as a country, there were earlier inhabitants who lived here, “owned” the land, benefited from its bounty and carried the responsibility for continuity and prosperity. Further, the recognition of indigenous cultures and peoples is critical to understanding the history of this land which did not start, as my history books implied, with colonization and European settlement.

As importantly, such recognition is a critical ingredient in the process of transitional justice as part of the reconciliation between the indigenous peoples and Canadians who settled in Canada long after they did. The indigenous peoples were more often than not mistreated and exploited and their cultures deliberately and intentionally overridden. Currently, the infamous residential school system may simply be the best known. Further, and hypocritically, all such efforts were made in the name of bringing civilization to so-called “savages”.

If Canada is truly a multicultural society, then among the most important cultures of this land that deserve a place of honour are those of our indigenous peoples. This is not a patronizing statement, simply a statement of the historical record often, and usually, deliberately ignored by the current dominant culture. If Canada is to be inclusive, then it is crucial that we be inclusive of the original inhabitants of this land.

Public events are one important place and time to do so. And to do so formally. For formality – whether it is singing Oh Canada or acknowledging the ancestral custodians of the land – is a critical step in public education. Further, such acknowledgement fosters the idea of partnerships between a preceding system and a succeeding culture. In Judaism, when the Temple was destroyed in Jerusalem, when the rabbinic system was well on its way to displacing a religion that had Temple worship at the centre, the Levites and the Cohanim of the older cultural system who were central to worship in the Temple, were given a special formal place of honour in the new system in which the Torah rather than the Temple had become the central focus of religious practice. Similarly, the indigenous people must be treated not simply as partners in continuing the challenge of building Canada, but must be ensured a place of honour in that enterprise.

This should not be an empty gesture full of sound and absent of fury and, therefore, signifying nothing. It must be an explicit demonstration of a commitment that we not simply partner in raising the level of material and spiritual status of our indigenous peoples, but ensure that they have an honorary status and significant recognition for being the true historical pioneers in the country.  That status must be given substance by ensuring that each and every member of our indigenous peoples be given an opportunity to achieve excellence in whatever they aspire to do, and that we learn from them as much as they benefit from the training and education that must be available to all Canadians.

The health and education of our indigenous peoples must be the top priority in Canadian government policy and not compromised because of other demands. In order for that to be the case, in order for the training, education and health care to be and remain preeminent in actual practice, other Canadians must learn at a very early age, and have that message re-instilled throughout their adult life, through the formal school curricula, through formal occasions in public life, that this is a necessary priority for Canadians. Just as our elders must be cared for and respected, so must our older indigenous cultural heritage.

Further, such acknowledgements, such ritual practices need not be confined to public ceremonial occasions but can be part of meetings, conferences and special functions, particularly those signifying rites of passage. Inclusion of such remarks and acknowledgements at events of a great variety should be used to instill and reinforce the values and respect we owe our indigenous peoples. No matter how small the event, room can and should be made for at least a statement of formal acknowledgement.

The issue is, however, not just formal acknowledgement, not just a ceremonial matter pledging our commitment to our indigenous peoples, but a mode of recognition of the traditional ways in which they served as custodians of this land. Respect for indigenous peoples is part and parcel of demonstrating respect for the land and ensuring that we do not continue to mistreat the environment. Formal words at ceremonial openings are but a beginning of a process of integrating the ceremonies and protocols of indigenous culture that they wish and are eager to share into the wider Canadian experience.

The broader benefits are obvious. Multiculturalism entails mutual respect for differences. Multiculturalism entails cultural engagement with the other. Multiculturalism does not entail surrendering one’s own cultural practices and commitments, except in cases where those practices are demonstrably inimical to the communal values of all Canadians, a just place for wrestling with the politics of differences.

Thus, when we open an occasion, whether it is a school day or a formal ceremony, incorporating the traditional indigenous practice of welcoming people to share the land in peace and prosperity is an important start. This can go beyond a one-paragraph short statement, though that is where it should certainly begin. It could and should develop into incorporating into such ceremonies a traditional song of welcome recited and sung in the original language.

Traditional symbols can be included. The ceremony could even incorporate a traditional ceremonial practice. These are all ways of remembering, acknowledging and offering recognition. However, none of this must be done as appropriation, but only with the full participation and endorsement of our indigenous peoples. This is written in the plural not simply in recognition that Canada consisted of many indigenous peoples with different languages, customs and practices, but in recognition that a local region may have been an area of contention between and among competing peoples. All must become part of the process.

As such processes develop, representatives of indigenous peoples will and should be given places of special honour, just as Cohanim and Levites are acknowledged in Jewish ceremonies. This will include rites of passage – such as bat and bar mitzvahs as well as weddings in my own tradition. The recognition of the time and commitment of an indigenous person is not just a matter of formal status, but compensation should be paid for that time, for the responsibility of conveying and continuing the practices, and for ensuring that the responsibilities for recognition of our full history are validated. Cultures must not simply be replaced by successive ones. Traditions must be elevated and given a place of honour as new cultural expressions become predominant among all of us. Further, such a recital should only be an initial set in integrating indigenous law, non-indigenous and international law.

When we recite at an opening ceremony a simulacrum of the following, do not be embarrassed. Do not be bored. Engage. Welcome and embrace the opportunity. The statement can be as simple as the following with, at the very least, the discovery of the name or the names of the peoples who traditionally owned and occupied the land before the arrival of European and, subsequently, settlers from all over the world.

I or we respectfully acknowledge the (in our case) Anishinaabeg as the original custodians of this land on which we are currently holding this event and consider it a privilege as a Canadian to recognize that tradition and the people(s) who served as its historical custodians. We honour an occasion in which we can express those thanks and give acknowledgement and respect for that which we have inherited.

There are other variations:

I wish to acknowledge the custodians of this land, past and present, the Anishinaabeg people as the original custodians of this land.  I recognise and respect that cultural heritage, its beliefs and the protective relationship to the land.

I acknowledge that this meeting (conference, event, wedding, etc.) is being held on the land of the indigenous Anishinaabeg people or nation, the traditional custodians of this land.

Before we begin the proceedings, I would like us to acknowledge and pay our respect to the traditional custodians of the ancestral lands on which we meet, the Anishinaabeg nation.

An Australian poet in New South Wales, Jonathan Hill, wrote:

Today we stand in footsteps millennia old.

May we acknowledge the traditional owners

whose cultures and customs have nurtured,

and continue to nurture, this land,

since men and women awoke from the great dream.

We honour the presence of these ancestors

who reside in the imagination of this land

and whose irrepressible spirituality

flows through all creation.

https://www.creativespirits.info/aboriginalculture/spirituality/welcome-to-country-acknowledgement-of-country#ixzz4nvgffB7H

Embrace tradition. It can make your spirit soar.

The Promise – a movie review

The Promise – a movie review

by

Howard Adelman

I am not breaking my summer silence, merely taking a recess. The cause is a movie I saw on television last night called The Promise. It is about the Armenian genocide. If I was a true film aficionado, I would know about the film, whether I had seen it or not. But I not only did not see it when it was released, but I had not heard of it. I initially thought I had an excuse because the release date that I read was 27 May 2017. However, the actual release date in Canada was 21 April 2017. Further, it was at TIFF in 2016. In any case, my lame excuse had been that I went north to my island for the rainy and cold month of June and did not return fully until July.

Before I begin the review, a few, and perhaps too many, words about the Armenian genocide. As is well known, successive and very different Turkish regimes have denied the existence of any intentional slaughter of the up to 1.5 million Armenians killed in that slaughter. The Armenians were killed, the Turks claim, because they allegedly started a civil war. Civilians were killed in the crossfire. They were casualties of war, not deliberately murdered. In any case, the Turks insist, the numbers that died is grossly exaggerated.

They are not. The genocide took place as depicted.

I became a secondary scholar of the Armenian genocide when I was asked by the Toronto School Board to sit with two other academics, experts on the Holocaust, to adjudicate whether the story of the genocide should be included on the curriculum for high school students in Toronto. Deliberately, not one of asked to serve on this voluntary judicial advisory committee because we had published on the Armenian genocide. The Board of Education wanted expertise without offering grounds for the formal Turkish government complaint to subsequently declare a prior bias.

This was, of course, not entirely possible. All three of us were familiar with Holocaust deniers. I certainly knew of Rwandan genocide deniers, or those who try to mitigate that tragedy, though the latter position was virtually impossible to sustain. Instead, in the case of Rwanda, deflection is used – a practice with which every reader is likely to be extremely familiar since the election of President Donald Trump. The claim is that President Kagame of Rwanda has been systematically slaughtering Hutu since the Tutsi-led rebels invaded Rwanda and initiated the civil war in 1990. The numbers killed on each side, these genocide distractors imply, are about equal. This past month, I was asked to review a research paper that edged in this way towards apologetics. However ruthless President Kagame may be as an elected dictator in Rwanda, any fair examination of his record, positive and negative, would not declare him to be a genocidaire.

However, the Turks, and their successive governments of very different stripes, have been united perhaps on only one topic for over one hundred years  – the persistent and insistent denial of the Armenian genocide.  A Turkish graduate student of mine – not an Armenian – wanted to write a thesis on the Armenian refugees in WWI. Somehow the Turkish government heard of it. A representative of the Turkish embassy in Ottawa paid me a visit when I was the founding director of the Centre for Refugee Studies at York University. He asked generally whther any student was writing about refugees, particularly from Turkey, during I disclosed nothing but informed my student. That student, fearing punishment on any return to Turkey, switched topics.

On the committee, I read much of the scholarly literature on the Armenian genocide as well as the Turkish propaganda denying its occurrence. What was distinctive from the Jewish and the Armenian genocides is that, in this case, there were two reputable scholars who denied that a systematic government-led effort to slaughter and forcefully relocate the Armenians had taken place. The vast majority of scholarly conclusions – as the committee claimed in its report to the Board of Education – supported the claims of genocide. Though the committee did not find that the evidence for the Armenian genocide taking place was incontrovertible or unassailable – there are very few historical events in which this is the case – the committee concluded that the overwhelming preponderance of evidence, and the logical flaws of the deniers, made it unquestionable that the Armenian genocide should be taught as a segment of actual history on a high school curriculum and without providing any necessity to make room for the literature of deniers. The evidence was as indisputable and indubitable as one can find in historiography. Yet two films appeared relatively recently that bordered on genocide denial – The Ottoman Lieutenant and Russell Crowe’s Water Diviner.

All this is to say that when I watched the film, I had no distraction or concern that the genocide had taken place. However, I was bothered somewhat by the implication that Turkey during the dying days of the Ottoman empire and even the beginnings of the Young Turk takeover in the aftermath of the disastrous Turko-Russian War largely waged in the Balkans in 1912, was simply a prosperous multicultural society. It certainly had that appearance. But just as there had been early warnings of a genocide in Rwanda with some trial efforts at mass slaughter, the warnings in Turkey were far clearer with the slaughter of 100,000 to 300,000 Armenians in the massacres of 1894-95 by the paramilitary Hamidye (the Interahamwe militias were used in Rwanda) and the 10,000–30,000 murdered by units of the armed forces in the Adana massacre of March-April 1909. However, as most scholars point out, a pogrom does not constitute a genocide. But pogroms can be precursors.

Thus, the film is correct in dating the formal start of the genocide to 24 April 1915 when several hundred Armenian professionals and intellectuals were rounded up and interned, with the vast majority eventually being killed. Second, the film depicts the second stage of the genocide when young Armenian (as well as Assyrian and Greek Christian) males from their teens to their forties were arrested, subjected to forced labour and murdered en masse in the process. The third phase of the slaughter portrays whole Armenian villages and towns put to the torch and Armenian older men, women and children set out on a forced march to Syria, where, on route, the vast majority perished in the desert which they attempted to cross with inadequate supplies of food and water. In the finale, the film portrays the brave and victorious Armenian 53-day self-defence by the Armenians from the villages of Kabusia (Kaboussieh), Yoghunoluk, Bitias, Vakef, Kheter Bey (Khodr Bey) and Haji Habibli  at the mountain, Musa Daği (ironically, Moses’ Mountain) recorded in Franz Werfel’s  novel, The Forty Days of Musa Dagh, until over 4,000 Armenians were rescued by the French navy.

The genocidal scenes are handled with mastery by the director, Terry George, and constitute a complement to the beauty and variety and richness of Constantinople before the war. Terry George entered this project with a stellar reputation from directing Hotel Rwanda and, before that, Some Mother’s Son (1991) about the 1981 IRA prisoner hunger strike, In the Name of the Father (1993) and The Boxer (1997), the latter two both starring Daniel Day Lewis. Unlike these depictions of the troubles in Northern Ireland, The Promise is directed on an epic scale with wonderful crowd scenes varying from the throngs in the markets of Istanbul to the forced labourers to the mass deportations in cattle cars and the forced march of the Armenian inhabitants of towns and villages. The leads portrayed by Oscar Isaac as Mikael Poghosian, an apothecary with a determination to become a doctor, Charlotte Le Bon as the vivacious and vibrant Ana, and Christian Bale as the famous American journalist, Chris Meyers.

So what is wrong with the film? Why is it not the Armenian equivalent to Schindler’s List? It is certainly not the cinematography which is gorgeous – perhaps all-too-gorgeous, even in the scenes about the flight. Unlike Atom Egoyan’s 2003 imperfect movie Ararat, also on the Armenian genocide, the flaw in The Promise is in the script co-written by Terry George and Robin Swicord. The weakness is not because they used a romantic triangle among the three to anchor the film in the personal, but because the triangle remains too central when the belated portrayal of the genocide begins. Further, it turns into a contrived and cloying series of segments through the latter half of the movie. Finally, and I could not figure why, there is almost no sexual chemistry between Ana and Mikael.

Some reviewers that I read this morning found this simply to be a distraction. For other reviewers, it spoiled the film. While I agree with the consensus on the sentimental and manipulated personal narrative at the core of the film, the power of the portrayal of the genocide, the brilliant directing and cinematography, and the wonderful acting, even though the character of Mikael Poghosian is too much of a goody-two-shoes for me, the events and their portrayal more than make up for this lapse so that I was mesmerized by the film and would have rated it much higher than the negative and barely positive reviews that I read.

However, do not read the reviews before you watch the movie. I did not, and very rarely do, for, in this case, review after review egregiously offer an account of the plot in great detail. A script which allowed reviewers to be distracted from the main and very important subject matter can be blamed on the screenwriters, but reviewers are as much to blame for allowing their narrative sensibilities to detract from the power of the movie.

It is a must see. And it does not cost nearly as much to watch on TV as in a movie theatre, though I desperately wish I had viewed the panoramic scenes on a large movie screen.

 

with the help of Alex Zisman