Three Movie Reviews 15.04.13
The Cave – Nekama
Rainbow – Keshet Be`Anan
Today is Yom Hazikaron (יום הזיכרון), Memorial Day, the day set aside to commemorate the Israeli Fallen Soldiers and Victims of Terrorism Remembrance Day (Yom Hazikaron l’Chalalei Ma’arachot Yisrael v’l’Nifgaei Peulot Ha’eivah יום הזיכרון לחללי מערכות ישראל ולנפגעי פעולות האיבה). This evening Yom Ha’atzmaut (יום העצמאות), Independence Day begins commemorating the Israeli Declaration of Independence in 1948 which then fell on the 15th of May but is celebrated in accordance with the Hebrew calendar on the 5th of Iyar. The above three films have everything to do with Yom Hazikaron, the second on the list in a perverse way, but all three have nothing to do with Yom Ha’atzmaut. That is to say, all three movies are about the military, but all three have nothing to say about politics. I saw all three at one showing last evening at the Toronto Jewish Film Festival (TJFF). The first was a delight. The second was wonderfully acted and very moving. And the third was magnificent.
Blue Line is a 20 minute 2011 short in Hindi, Hebrew and English made by Alain Sauma for French television. The film opens with a shot of blue painted boulders in a line, widens to a gorgeous shot of green hills and a small pond, and widens again until we see a UN peacekeeping observation post and then an Israeli observation post on the Israeli-Lebanese border. The scene is gorgeous and is probably intended to be located in the north-east in North Baalbek and the borders of Baalbek, Beka‘a, Hasbaya or North Rashaya. Based in Beirut, Sauma generally shoots commercials, such as a beautiful very short film asking for support for Gaza called Bring Gaza Back. He also shoots propaganda films against terrorism. This film has the usual stereotypes of armies, whether in the Israeli army or working as Indian peacekeepers. There is the soldier who wants to keep strictly to orders. Then there are the humanitarian soldiers who try to apply common sense when dealing with a small incident but in a zone that makes humanitarianism seem not only risky but a potential trigger for resumed fighting across a cease fire line. The action is initiated by a boy minding his cow in Lebanon and falling asleep on the job as his cow wanders across the cease fire line. The film is whimsical. Its humanity warms your heart until, in the end, the story is juxtaposed against the real war.
The Cave (Nekama) is an Israeli 22 min. short directed by Yoav Cohen, one of 13 Cohens who are filmmakers in Israel. He made the film as a student at the Sam Spiegel Film & Television School in Jerusalem. At first you are unsure what is going on. The fifty year old casually dressed bald man seen making a fire in a cave looks like an Israeli Mossad or Shin Bet agent. Then you see that he has a captured a youth in uniform, tied him up and gagged him. The kidnapper of the soldier speaks fluent Hebrew. Is the tied up youth a fellow from the Lebanese or Jordanian army or one of Arafat`s soldiers? If I was an Israeli, I would have recognized the insignia and caught on before three minutes of the film had passed. The soldier is Israeli. The kidnapper is an Arab, named Yusuf – it is not clear whether he is an Israeli Arab or from the West Bank. He has kidnapped the soldier and tied him up. Is this not where the Blue Line ended? No, for Yusuf has not kidnapped the soldier for political reasons, but to exact revenge for what he and his wife went through at the hands of Israeli soldiers. The acting by Yusuf Abu-Verda playing Yusuf is simply brilliant. The film is beautifully shot with a red camera so the details within the cave stand out. The script is almost poetic. It is a must see movie.
Imagine The Hurt Locker looking artificial beside this 41 minute film directed by Eliran Elya called Rainbow or Keshet Be`Anan. Documentary film footage is shown of real Israeli troop going through the sand and rocks in search of body parts for proper burial of dead soldiers whose armour carrier had been attacked and blown up. This took place in Gaza and this archival film is interwoven through the movie. The film is about a troop of half a dozen soldiers sent into Gaza to guard the body part collectors. When they are shot at, the soldiers take cover in a house that they find is occupied by a Palestinian family with a sullen father, a rather animated older grandmother and a brood of children, one in bed suffering from asthma. A wayward Israeli army photographer is found and forced to take cover with them; the photographer was assigned to their unit and simply went ahead on his own. We know from the start that the enterprising photographer obsessed with getting his shots will spell trouble. The claustrophobia of the house in which they take refuge makes the castle in the Israeli film Beaufort look roomy.
Again, there are a variety of types. The troop is made up of the self-centred soldier and the romantic wayward and even rash one, the do-gooder and the responsible Michael, the commanding officer, who tries to keep his troops safe without imposing unnecessarily on the trapped Palestinian family as the soldiers are periodically shot at by snipers. The film see-saws from situations of fear to the movements of well trained soldiers, from boredom to the religious soldier praying, from one soldier taking water belonging to the family when his own runs out to the medic helping the child. The film is fast-paced and taut, carried by suspense and fear but lightened up by camaraderie and care. Until the climax!
The director, Eliran Elya, and Producer, Oren Rogovin, were there for a Q&A. We learn that this exact situation took place when he was in the army. Rainbow was both the code name of the mission and the house that they had lined up to occupy while they protected the gatherers of the body parts. The White House was the source of the sniper fire but I would not read any political symbolism into that. With minor alterations, what is portrayed actually happened. Shockingly, this superb film was made with all volunteer labour and total dedication and cost $2000. The film is a fitting tribute to Yom Hazikaron.
The film was all the more poignant for me, as I am sure it was for so many Israelis. I recalled when my grandson was in the paratroopers on the Gaza border and his best friend was killed a few yards from him by a grenade from a grenade launcher. I phoned him not long after the event and what he said kept going through my head and cutting through my heart as I watched the film.
May peace come and may no more civilians be harassed or injured or killed and no more Israeli soldiers` lives sacrificed.
Three Movie Reviews15.04.13.doc